Going Full Cage: Exploring the Enigma of Nicolas Cage

Tara Judah and Ti Singh bring their sell-out show to Cage-a-rama 2019

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We are beyond thrilled to bring Going Full Cage, the extremely popular, sell-out event from Bristol’s Watershed, to Glasgow for Cage-a-rama 2: Cage Uncaged. In January, two of the UK’s foremost film experts will explore the phenomenon of Nicolas Cage and debate the case for and against the best/worst actor of our times.

Nicolas Cage has been nominated for more Razzies than he has Oscars (The Golden Raspberry Awards recognise the worst in film), and yet he remains an Academy Award winning actor, thanks to his outstanding performance in Leaving Las Vegas. But just how can one man be recognised by both the industry’s most esteemed and most mocking award ceremonies? As fascinating as he is baffling, who is this enigmatic man? Is he utterly brilliant – in on the joke – or is he an overrated actor taking whatever pay check comes his way?

Whatever your opinion, we can say for sure that this member of the Coppola clan has worked with both the best and the worst in the business. From the Coen Brothers to the Kaufmans, with David Lynch and Neil LaBute, Nic Cage has entertained cinema audiences for almost forty years. Famous for his outlandish purchases, including oddities as wide-ranging as a castle in Bath (where he used to live!) and an illegal dinosaur skull, it’s no wonder he’s earned a reputation for eccentricity.

Nic Cage super fans Tara Judah (Watershed Cinema Producer) and Timon Singh (Bristol Bad Film Club Founder), will be diving deep into the bottomless abyss of the enigma. Presenting their cases for and against his brilliance in back to back presentations with clips, quotes and context, before discussing and debating their findings. Join us on Saturday 5th January as Tara and Ti dare to go Full Cage.

Whether you’ve seen the best or the worst of his career, this session will equip you with the tools, anecdotes and arguments to understand the curious career and big screen allure of one of Hollywood’s most unconventional A-listers.


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Tara Judah is Cinema Producer at Watershed in Bristol, and has worked in programming and editorial for the cinema’s archive, classic and repertory film festival, Cinema Rediscovered since its inception in 2016. Tara is also a freelance film critic and has contributed to Senses of Cinema, Desist Film, Monocle and Sight & Sound. Tara is a director on the board of trustees at one of the UK’s longest continuously operating cinemas, Curzon Cinema Clevedon. Tara’s favourite Nic Cage movie is Wild at Heart and her least favourite is City of Angels. (WHYYYY?) She especially loves it when Nic Cage sings.

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Timon Singh is Campaign Managers for Film Hub South West and also runs Bristol Bad Film Club and Bristol Sunset Cinema in… well, Bristol. He has previously written for Den Of Geek UK and Cineworld Magazine and his first book Born To Be Bad: Talking to the greatest villains in action cinema is out now. Timon is also the writer/producer on the upcoming documentary film In Search of the Last Action Heroes. His favourite Nicolas Cage film is Wings of the Apache. His worst is the first Ghost Rider. At the least the sequel had the decency to go Full Cage…


Going Full Cage, Saturday 5th January 2019, CCA Glasgow, part of Cage-a-rama 2: Cage Uncaged. All tickets on sale via our online store, here.

Cage-a-rama 2: Cage Uncaged

Europe’s longest-running Nicolas Cage Film Festival returns to Glasgow

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Matchbox Cineclub present Cage-a-rama 2: Cage Uncaged, a two-day film festival celebrating the wild, weird world of Nicolas Cage. Europe’s longest running Nic Cage film festival returns on Saturday 5th and Sunday 6th of January 2019, to the Centre of Contemporary Arts, Glasgow.

Cage-a-rama 2: Cage Uncaged fully unleashes the wild side of Cage with eight films, classic and brand-new, featuring the Oscar-winner’s most iconic meltdowns, freak-outs and outbursts. The festival also features a range of bonus content, including Cage’s 55th Birthday Brunch + Quiz and Going Full Cage, a live event hosted by Tara Judah (Watershed Cinema producer) and Ti Singh (Bristol Bad Film Club founder and author).

The full programme will be announced on Wednesday 24/10.

Programmer Sean Welsh says, “People flew in from across Europe to attend the first, sell-out Cage-a-rama in January 2018. We wanted to raise the stakes with this sequel, so Cage-a-rama 2: Cage Uncaged is going to be an even more intense experience for fans. Last year, our campaign to #BringCage2Glasgow netted his official stand-in, Marco Kyris, so this year we’re upping our game to get him.”


Weekend passes for Cage-a-rama 2: Cage Uncaged are on sale now in our online shop.  Limited day passes and single tickets will be on sale Friday 26/10.

Sign up to Matchbox Cineclub’s mailing list to get updates on Cage-a-rama and more: eepurl.com/duX1R9.

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Poster illustration by Vero Navarro

Joe Dante’s The Movie Orgy

A mind-bending predecessor to the modern mash-up, The Movie Orgy (1968) is also the Rosetta Stone for Joe Dante’s oeuvre and a must-experience for movie fans and cinephiles alike.

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Before Gremlins, before The Howling, before he started his career cutting trailers for Roger Corman, Joe Dante hosted the 7.5 hour All Night Once In A Lifetime Atomic Movie Orgy. An ever-evolving edit, it was a communal experience – a mind-bending predecessor to the modern mash-up with no definitive version. Matchbox Cineclub programmer Sean Welsh charts the evolution of The Movie Orgy through five key dates.

October 9th 1965, The Playboy Theater, Chicago

The first screening of An Evening With Batman and Robin, one of two key inspirations for The Movie Orgy. The other was Susan Sontag’s Notes on “Camp” (1964), which popularised the term and inspired the repackaging of the 1943 Batman serial as a single 4.5-hour programme. Audiences laughed at its phony climaxes, marveled at its blatant xenophobia, and it began touring college towns. When Dante caught it, at the World Theater in Philadelphia, he was particularly struck by the camaraderie of the crowd, who “came out into the lobby as if they’d just gotten off a sinking ship.”

Early 1966, Philadelphia College of Art, Philadelphia

Inspired, Dante, a second year student but already a programmer at PCA, decided to host his own Camp Movie Night. The exact date is lost to history, but Dante and collaborator Jon Davison rented the only complete serial available on 16mm in Philadelphia, The Phantom Creeps (1939). They stretched it to seven hours with serials, clips, ads, industrial films and cartoons from their 16mm collections. Its success meant several follow-ups, each a step towards what would shortly become The Movie Orgy, then variously The Movie Orgy 2, The Movie Orgy Strikes Back, Son of the Movie Orgy, Escape to Movie Orgy and Son of Movie Orgy Rides Again.

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March 8th 1970, Filmore East, New York

Although 1968 is commonly held as the term “The Movie Orgy” was first used for Dante and Davison’s project, the performance that film archivist and Orgy expert David Neary describes as “the most important Movie Orgy of all” came in 1970. 1970 was peak Movie Orgy for the pair, who employed dueling projectors (tipping their hats to Andy Warhol’s Chelsea Girls). Davison’s would show various features – in lieu of new serials – and Dante’s would interject, drawing on his panoply of 16mm weirdness. They took their cues from the audience, so no two screenings were alike. Press coverage of the Filmore Orgy drew the attention of Schlitz Beer, who sponsored Orgies to tour colleges for years. But when the new material the Orgy drew upon to keep it alive began itself to be infected with self-referential camp, it was time to call it a day. Dante, already in Hollywood, sold syndication rights for “The Video Orgy” to be screened on college campuses’ closed circuit TV networks.

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Credit: Dennis Cozzalio

April 22nd 2008, New Beverly Cinema, Los Angeles

The grand finale of Dante’s Inferno, a two-week retrospective at LA’s legendary rep cinema. Joining the scores of curious film fans were Davison, Allan Arkush, Bill Hader, Edgar Wright and Quentin Tarantino. Dante enjoined the crowd to move about, go outside, have a smoke, grab a pizza and wander back in. The Movie Orgy was always intended as a movie to be walked out on. But the director was curious to if it would play – have any relevance – after years in his vault. It brought the house down.

September 9th 2018, The Old Hairdressers, Glasgow

We’re screening the digital version Dante made for the New Beverly (not the 90min “UK cut” previously screened in London). It’s 4.5 hours long, the official Movie Orgy, “distilled, recaptured and re-curated”, according to archivist David Neary. It’s not the full, wild 16mm experience, of course, but there’s also no Blu Ray coming. “It’s more like a concert in a way,” Dante says, “It’s something that you really have to be there for.”

Sean Welsh


Joe Dante’s The Movie Orgy screens at The Old Hairdressers, Sunday 9th September

Facebook event here. Tickets here.

An edited version of this article originally appeared in the Scalarama 2018 newspaper.

Friday 13th Part III – in 3D!

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We had such a great time with Jaws 3D at Nice N Sleazy that we’re returning with Friday 13th Part III – in 3D! What will henceforth be known as the World’s Greatest 3D Film Club presents the second sequel to the horror classic, in classic red/blue 3D, on Wednesday 25th July.

Jason Voorhees dons the hockey mask for the first time in this classic sequel. Time Magazine’s review said, “The way the eyeball of one of Jason’s victims pops out of his skull and seems to sail over the audience’s head is alone worth buying a ticket and putting on funny glasses.” YES.

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Now you can see Friday 13th Part III (Steve Miner, 1982) as it was always meant to be seen – on a summer’s night in the basement of NICE N SLEAZY, through flimsy cardboard glasses. Our £3 ticket price includes a free pair of red/blue anaglyph 3D glasses.


Friday 13th Part III – in 3D! screens at Nice N Sleazy, Wednesday 25th July

Facebook event here. Tickets here.

Jaws 3D – in 3D!

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Filmed at a landlocked water park, it’s been described as “a terrible, stupid movie that is easily the lowest point in the Jaws series and arguably one of the worst atrocities mankind has ever visited upon itself.”

The second Jaws sequel started life as a parody, to be directed by Joe Dante (Piranha), with a script entitled Jaws 3, People 0. The studio ultimately decided a spoof was the wrong way to go, and Jaws 3D was…the right way to go? Ultimately, they recruited Manimal himself, Simon MacCorkindale, Marty McFly’s mom, Lea Thompson, the mom from My So-Called Life, Bess Armstrong and Dennis Quaid, by all accounts the highest he’s ever been (off his tits on coke in “every frame”), for what may be the worst film in the franchise.

And now you can see it as it was always meant to be seen – on a summer’s night in the basement of NICE N SLEAZY, through flimsy cardboard glasses.


Jaws 3D – in 3D! screens at Nice N Sleazy, Saturday 7th July.

Facebook event here. Tickets here.

Weird Weekend brochure online

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The brochure for Weird Weekend 2018 is not online over at Issuu. You can also pick up a print copy across Glasgow this weekend.

Tickets are on sale now from £5, day and weekend passes are available. All tickets available from CCA’s box office, 0141 352 4900, or online: bit.ly/weirdweekend.

Arrow Video Cult Film Quiz

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Think you know cult film? Matchbox Cineclub, with the kind assistance of Arrow Video, are giving you the chance to test your mettle at Weird Weekend, with quizmaster Claire Biddles.

Prizes include an incredible array of Arrow Video blu rays, free entry into future Matchbox Cineclub events + lots more.

Our pals at Nice N Sleazy are opening two hours early on a Sunday for us, so this is truly a landmark event.

Entry in the quiz is free to all Weird Weekend ticket holders, who also get a food discount + free entry to Nice N Sleazy all weekend.

See all screenings: Weird Weekend

Tickets £28/£14/£5 | bit.ly/weirdweekend