Don’t Let it Break Your Heart: Film Programmer Kier-La Janisse In Conversation

Legendary film programmer Kier-La Janisse joined us for a conversation on her career in cult film, from basement screenings to international film festivals and beyond

Fearless film programmer and Matchbox hero Kier-La Janisse joined us last week via Zoom to discuss her inspirational career in cinema. In a two-hour conversation, Kier-La very generously held forth on everything from her zine editing to basement horror screenings; to founding the CineMuerte film festival; to programming the Alamo Drafthouse; to running her own micro cinema; to publishing her landmark memoir House of Psychotic Women; to launching her own publishing house, Spectacular Optical.

Kier-La shared the secrets of her Cannibal Holocausticles, her Montreal microcinema Blue Sunshine (more on that and the scene around it in Donna de Ville’s dissertation, The Microcinema Movement and Montreal), and her hilariously ill-fated stint as a scout for Drafthouse Films. We also heard some of the highlights of her career in genre film programming, including screening Until the Light Takes Us onto a screen made of snow in the dead of the Canadian winter, hosting Deep End in a swimming pool surrounded with electrical equipment and recruiting Udo Kier to help live dub an unsubtitled print of Black Bell of the Tarantula.

Watch our Kier-La Janisse-inspired playlist

We also had a chance to quiz the veteran programmer on the ethics of film programming, the evolution of horror fandom, her advice for aspiring programmers and some of her favourite films – including some of her most memorable screenings, her wishlist and the ones that got away.

You can watch the whole conversation on our Vimeo page here, or YouTube here, or you can read the transcript here.


Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on FacebookTwitter and Instagram to stay up-to-date.

The next monthly roundtable takes place on Sunday 24th May, on Zoom. Details via the Facebook page, here.

Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI. 

spectacularoptical.ca
miskatonicinstitute.com
severin-films.com

Scalarama 2020: Film Licences

Our second Scalarama roundtable of 2020 (hosted on Zoom, Sunday 26/04/20) continued to explore the new challenges independent exhibitors are faced with, but also invited special guests from across the UK and Europe to talk about their current activities. Our main focus was on film licensing, with special guest Greg Walker (Pilot Light TV Festival) on hand to talk about his experiences, good and bad, and share some useful advice.

We passed along updates on current plans for Drive-In screenings across the UK, from Live Cinema and we welcomed Anna Kubelik from Window Flicks, who discussed the development and delivery of their ongoing public screening project in Berlin. Caris from Rianne Pictures spoke about their online quiz collaboration with Screen Queens and Ben from Penarth’s Snowcat Cinema shared his programme of online engagement. Closer to home, Backseat Bingo‘s Casci Ritchie reported on their recent Prince-themed watch-along and Lauren Clark of Femspectives spoke on their ongoing #FemspectivesAtHome activities.

You can watch the entire roundtable here (embedded below, with subtitles), read the transcript here or browse the minutes here. Our 2019 hand-out on the principles and practicalities of film licensing is here.

The next roundtable is Sunday 24th May on Zoom, and we’ll have guests from the world of film exhibition and distribution to discuss new approaches to hosting film screenings online (NB not watch-alongs). Before that, we have a spin-off special in the shape of a In Conversation event with Canadian film programmer and writer Kier-La Janisse on Sunday 10th May, 6-8pm. Read all about that here.

Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on FacebookTwitter and Instagram to stay up-to-date.

The next monthly roundtable takes place on Sunday 24th May, on Zoom. Details via the Facebook page, here.

Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI. 

Kier-La Janisse in Conversation

The legendary film writer, programmer and general hero of cult cinema worldwide joins us for an online discussion about her work in independent film exhibition

Legendary film programmer, writer, producer, director Kier-La Janisse is joining us on Sunday 10th May, via Zoom/Facebook Live, for a Scalarama conversation about her career in cinema – from video shop to pop-up events to film festivals to cinemas and beyond. Janisse has long been an inspiration and a guiding light for independent programmers and cult exhibitors like Matchbox, so we’re thrilled to get the chance to talk to her about her ethos and her experiences screening films.

The discussion will take place on Zoom, hosted by Matchbox Cineclub’s Sean Welsh, with a small audience of film programmers, curators and writers, and streamed simultaneously on Facebook. If you’d like to participate directly, send us a message here or via email: info@matchboxcineclub.com. We’ll keep an eye on any points raised on the live Facebook stream, so feel free to pose questions there instead. The conversation will be archived and subtitled for access afterwards. Full details here.

Kier-La Janisse (photo courtesy of Kier-La Janisse)

Kier-La Janisse is a film writer and programmer, founder of Spectacular Optical Publications and The Miskatonic Institute of Horror Studies. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver, was the Festival Director of Monster Fest in Melbourne, Australia and was the subject of the documentary Celluloid Horror (2005).

She is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012) and contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), Recovering 1940s Horror: Traces of a Lost Decade (Lexington, 2014), The Canadian Horror Film: Terror of the Soul (University of Toronto Press, 2015) and We Are the Martians: The Legacy of Nigel Kneale (PS Press, 2017).

She co-edited (with Paul Corupe) and published the anthology books KID POWER! (2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017) and Yuletide Terror: Christmas Horror on Film and Television (2017). She edited the book Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (forthcoming), and is currently co-authoring (with Amy Searles) the book ‘Unhealthy and Aberrant’: Depictions of Horror Fandom in Film and Television and co-curating (with Clint Enns) an anthology book on the films of Robert Downey, Sr., as well as writing a monograph about Monte Hellman’s Cockfighter.

She was a producer on Mike Malloy’s Eurocrime: the Italian Cop and Gangster Films That Ruled the ’70s and Sean Hogan’s We Always Find Ourselves in the Sea and her first film as director/producer, Woodlands Dark and Days Bewitched: A History of Folk Horror is due out from Severin Films in 2020.

www.spectacularoptical.ca
www.miskatonicinstitute.com
www.severin-films.com