We invited AGFA, Arrow Video, Factory25, Modern Films, Northwest Film Forum and Spectacle Theater to discuss models for online screenings
Last week, we hosted a roundtable for Scalarama Glasgow to discuss different models for screening films independently online. We invited a variety of guests with recent experience delivering programmes online in various contexts, including New York’s Spectacle Theater, whose team of volunteers usually deliver their programme to a maximum of 35 people in their Brooklyn microcinema and now curate Twitch streams for hundreds of people at a time.
We also welcomed the American Genre Film Archive, based in Austin, Texas, who work with and advise distributors and exhibitors, as well as producing their own content, and Seattle’s Northwest Film Forum, who have developed their own timed screening format for rentals, including the online debut of Paul Bartel’s “lost” final film, Shelf Life.
We also invited distributors like Arrow Video, based in UK but distributing internationally, Factory25, whose recent Other Music documentary was released in collaboration with a variety of independent organisations, and the UK’s Modern Films, who have quickly pivoted to their own online release platform, working with a variety of exhibitors.
You can watch the entire roundtable here (embedded above, with subtitles), read the transcript here or browse the minutes here.
Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on Facebook, Twitter and Instagram to stay up-to-date.
The next monthly roundtable, focussing on accessibility for online and IRL screenings takes place on Sunday 21st June, on Zoom. Details via the Facebook page, here.
Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.
For the second year, we’ve worked with Glasgow Short Film Festival, this time expanding coverage to nine feature-length programmes of shorts, including the entirety of their Scotttish Competition and our own Girl in the Picture: The Youth Films of Nobuhiko Obayashi programme. The latter celebrates the early, experimental work of the House director and includes films subtitled in English for the first time. We’ve worked with translator Moe Shoji to produce SDH for these films, and they represent the start of a bigger project we’re very excited about – watch this space!
Find all the captioned films screening at GSFF20 here.
Why Don’t You Just Die! (Kirill Sokolov, 2020) is the first in our new, monthly screening series Arrow Video Night, in collaboration with Arrow Video. Arrow produces SDH for all their home releases, but we’ll guarantee them either way, since some of the programme will be sneak previews and descriptive subtitles may not be ready in time for our screenings. Why Don’t You Just Die! is a prime slice of Russian splatterpunk comedy, lots of fun and an advance screening ahead of its Blu-ray release in April.
Remakesploitation Fest is our collaboration with Iain Robert Smith (King’s College London/Remakesploitation Film Club) and the result of a long, long infatuation with the weird world of Turkish fantastic cinema – particularly the era which featured countless unauthorised remakes of Hollywood films. Following our sold-out premiere screening of the 2K restoration of Turkish Star Wars (Dünyayı Kurtaran Adam) last year, we’re bringing a whole day of Turkish remakes to CCA Glasgow, all with exclusive, brand-new translations, screening for the first time in the world with English SDH. Thanks to King’s College London and Film Hub Scotland for making this possible!
Scotland’s cult film festival returns to CCA Glasgow this month, with three days of strange and unseen cinema from around the world.
Weird Weekend, Scotland’s cult film festival returns to CCA Glasgow this month with three days of strange and unseen cinema from around the world, beginning Friday 30th August and ending Sunday 1st September.
Weird Weekend2019 features extremely rare screenings of lost masterpieces, brand-new restorations and UK premieres of future classics. 13 films and events over three days include a 35th anniversary, 35mm screening of the long unavailable Bill Murray sci-fi comedy Nothing Lost Forever(Tom Schiller, 1984), a rare outing for Tilda Swinton’s quadruple-role tour-de-force Teknolust (2002) and a 30th anniversary outing for the workprint cut of The ’Burbs (Joe Dante, 1989), with extended scenes and an alternative ending. Joe Dante will join the audience via Skype for a post-screening Q&A.
The film programme also includes: Brand-new 2K preservations of I Was A Teenage Serial Killer (1993) and Mary Jane’s Not A Virgin Anymore (1997) from the sadly departed “Queen of Underground Film” Sarah Jacobson, in association with Pity Party Film Club; Vibrations (Mike Paseornek, 1996); Freak Orlando (Ulrike Ottinger, 1981) in association with Scottish Queer International Film Festival; The UK premiere of AGFA and Bleeding Skull’s The Neon Slime Mixtape; Jane Arden and Jack Bond’s Anti-Clock (1979); Věra Chytilová’s Wolf’s Hole (1987); Dead Mountaineer’s Hotel (Grigori Kromanov, 1979) in association with The Reptile House; and the 2K-restored, extended cut of Chris Shaw’s Split (1989).
Matchbox Cineclub also welcome prominent Deepfake creator Ctrl Shift Face in person for the panel event, Weird World of Deepfakes in association with Trasho Biblio. A specially-curated feature length programme of Deepfakes will play on a loop in CCA’s cinema throughout the festival weekend. Finally, The Arrow Video Cult Film Quiz returns for the second year, with much swag up for grabs.
All films screen with open captions for the deaf and hard of hearing, and tickets are priced on a sliding scale, from £0-8. You judge for yourself what you should pay, with reference to our sliding scale guide.
You can browse the full Weird Weekend programme on Issuu, and all tickets and passes are on sale exclusively in our online shop.
Here’s the trailer for our upcoming screening of Forbidden Zone (Richard Elfman, 1980). The screening is by arrangement with Arrow Video. Seating is limited, tickets are on sale now. Keep up-to-date at the Facebook event page here.