News

Weird Weekend 2018 on sale now

Matchbox Cineclub announce Scotland’s first cult film festival

Advertisements

WEIRD-WEEKEND-LOGO_c

Matchbox Cineclub presents Weird Weekend, a whole weekend of strange and unseen cinema from around the world. Scotland’s cult film festival brings orphans, outcasts and outliers from across time and space to the Centre for Contemporary Arts, Glasgow, on Saturday 2nd and Sunday 3rd June, 2018. Weird Weekend presents long-lost cult classics alongside premieres of future favourites, with a host of special guests, Q&As and events.

Among the highlights, Bill & Ted star Alex Winter will take part in a Skype Q&A after a screening of his directorial debut Freaked (1993); Glaswegian director Bryan M Ferguson will attend a Q&A following Anatomical Gunk, a retrospective of his short films; a 40th anniversary screening of Alejandro Jodorowsky’s midnight movie classic The Holy Mountain (1973); Sogo Ishii’s The Crazy Family (1984), unseen on UK screens for over 30 years; and an extremely rare screening of the long-lost, now fully restored cult classic The Astrologer (Craig Denney, 1975).

This slideshow requires JavaScript.

Matchbox Cineclub programmer Sean Welsh says: “Although we have many, many film events, Scotland is long-overdue a dedicated cult film festival. With Matchbox Cineclub, we’ve always aimed to screen films you can’t see anywhere else, so Weird Weekend is a logical extension of all of that. We’re very proud of the programme we’ve put together, which uncovers lost gems, debuts new versions of classics and presents some of the wildest brand-new films in the world today.”


Tickets from £5, day and weekend passes are available. All tickets available from CCA’s box office, 0141 352 4900, or online: bit.ly/weirdweekend. #makeitweird

Keep up-to-date on Facebook here.

Weird-Weekend-Poster_web

 

Protected: Who is The Astrologer?

There is no excerpt because this is a protected post.

This content is password protected. To view it please enter your password below:

Graham Humphreys poster for Turkish Star Wars 2K restoration

Legendary illustrator produces brand-new poster for Dünyayı Kurtaran Adam, the holy grail of remakesploitation

30070477_10103105365651138_1539228525_o
Poster for Dünyayı Kurtaran Adam (Çetin İnanç, 1982) by Graham Humphreys

Legendary poster artist Graham Humphreys has produced a brand-new quad poster for Dünyayı Kurtaran Adam (AKA Turkish Star Wars, Çetin İnanç, 1982), to celebrate the world premiere of a new 2K restoration. Limited edition prints will be available for sale at two simultaneous screenings on May 4th 2018 – Star Wars Day.

Turkish Star Wars is notorious for the ways in which director Çetin İnanç edited stolen footage from Star Wars (1977) into his own film, along with music from Raiders of the Lost Ark and Flash Gordon. Low-resolution and poorly-subtitled bootleg copies of Turkish Star Wars have circulated for years, leading to its unfair reputation as one of the worst movies ever made.

In 2016, Glaser rescued the sole surviving 35mm print of the film after it was discovered in the collection of a retired movie projectionist in northwestern Turkey. Now, a new 2K digital scan has been made so that the world can finally see the film the way it was intended – and with all-new translated subtitles.

Matchbox Cineclub programmer Sean Welsh says: “People know Turkish Star Wars from internet clips of VHS bootlegs with terrible subtitles, presented with nonsense about how the film was critically savaged when it was released. The truth is Turkey then had a film business with no money, an audience thirsty for daft fantasy films and no copyright law. With this new restoration, you can enjoy Turkish Star Wars for what it is – a wild fever dream of a movie from the Roger Corman of Turkey.”

Matchbox Cineclub’s Glasgow screening is sold out (follow the Facebook event page for unwanted tickets), but tickets for the simultaneous London event, which also boasts a Q&A with Ed Glaser, are still available here.


Turkish Star Wars (2K Restoration) premieres at Centre for Contemporary Arts, Glasgow and The Cinema Museum, London on May 4th, 2018.

Ela Orleans takes Cowards to Alchemy

Ela Orleans brings her stunning score for Guy Maddin’s Cowards Bend The Knee to the Scottish Borders

Cowards Bend The Knee

Ela Orleans is taking her spectacular new score for Guy Maddin’s Cowards Bend The Knee to Alchemy Film and Moving Image Festival! First commissioned by Matchbox for performance in Glasgow during 2017’s Scalarama programme, Ela’s director-approved live score will have only its second outing at the prestigious festival, based in Hawick, on Sunday 6th May.

Alchemy Film & Moving Image Festival is an international festival of experimental film and artists’ moving image. The festival, in its eighth year, is produced in partnership with Heart of Hawick in the Scottish Borders. The 2018 festival will screen 133 films from 30 countries over five days, with 36 world premieres, 18 European premieres, 24 UK premieres, 20 Scottish premieres and over 50 filmmakers in attendance.

Ela will also debut Apparition, a work extending from Gustave Moreau’s sketches exploring the character of Salome, on the same evening.

Full details can be found at Alchemy’s website here.


Book tickets for Apparition & Cowards Bend The Knee: Ela Orleans Live Score, 06/05/2018 at Tower Mill, Hawick here.

Turkish Star Wars 2K

Matchbox Cineclub present the world premiere of Dünyayı Kurtaran Adam in 2K restoration

This slideshow requires JavaScript.

Join us on Star Wars Day 2018, at Centre for Contemporary Arts, Glasgow, for the world premiere of a brand-new 2K digital scan of Dünyayı Kurtaran Adam (1982) – best known as Turkish Star Wars! Numbers are limited – the event is free-but-ticketed and first come, first served. Grab ’em while you can from CCA, here.

Notorious for the ways in which director Çetin İnanç edited footage from Star Wars into his own film, along with music from Raiders of the Lost Ark and Flash Gordon, Dünyayı Kurtaran Adam is the holy grail of remakesploitation cinema.

For many years, the film circulated only in low-resolution bootleg copies, but in 2016 film historian Ed Glaser (Deja View) discovered a 35mm print of the film. Now a digital scan has been made so that the world can finally see the film the way it was intended – and with all-new English subtitles!

Read more about Turkish Star Wars and remakesploitation here.

Read about Ed’s discovery of the new print here.

TURKISH-STAR-WARS-POSTER-300-DPI_web


Dünyayı Kurtaran Adam screens Friday May 4th 2018 at CCA Glasgow | Free-but-ticketed

Keep up to date on Facebook here

NB This event runs simultaneously with Remakesploitation‘s screening in London’s Cinema Museum.

Nic Cage’s stand-in joins CAGE-A-RAMA 2018 line-up

Flyer

We’re delighted to announce that Marco Kyris, Nicolas Cage’s official stand-in for over 10 years, through his iconic Action trilogy and almost 20 films, will be joining us for a live Skype Q&A on Saturday at Cage-A-Rama 2018

Marco Kyris was born and raised in Toronto, Canada on Oct 14, 1961 [Nee Evrimahos Kyriakakis] to Greek immigrant parents. Growing up in a non English speaking house in Greektown with two siblings proved difficult for Marco, who was challenged academically and never kept up with school or family ties.

He was more of talker, like a TV show host, and worked that naturally into retail and restaurant skills over his teens and twenties.

Moved to Paris at 21 to soak in the culture and learn French while waitering, then to Los Angeles to try his skills in acting while working as a maitre’d, and meeting the stars of that era. Taking acting classes and getting bit parts that came and went, Marco was disillusioned by LA and not succeeding, so after several years he moved back home to Toronto to start over again.

While settling back, he had an audition to be Nicolas Cage’s stand-in for a winter theme film there. He got the gig, and ended up befriending Cage. Nic thought Marco was just right to be his permanent stand-in, as Cage was becoming an A list actor and was building a traveling team of hair, make-up, wardrobe, stunt, and stand-in. This turned into a 10-year-long career of almost 20 films with Mr Cage and his entourage.

All on buddy terms, they travelled many cities, states, and countries over those years, working on Cage’s most iconic and memorable films to date, including his trio of action films. Hard working and well respected as all of Cage’s team was, it was time to move on as the biz was changing,  and Cage seemed like he needed a fresh start, as he masterfully re-invents himself when necessary.

Marco and the team were also ready to retire into a more calming life. It was a welcome halt from movie madness travel in the Cage Wage World.

Marco has been living in Toronto ever since, and bought into real estate holdings as a long term retirement, but travels back to LA yearly to enjoy winter with film friends.

He is currently working on his memoirs of that time, and has a podcast with guests of his film past (Babble B.S. And Beyond). Check out his website at www.mkyris.com for more fun photos from behind the scenes of your favourite Cage flicks.

Marco is recording a special introduction to the action trilogy and will be joining us live from Toronto after the screening of Con Air.

This slideshow requires JavaScript.

Tickets from CCA: Book online, 0141 352 4900.

Keep up-to-date with the CAGE-A-RAMA 2018 Facebook event page here.

£4 (+£1 booking fee) per film
Day pass: £9 (+£1 booking fee)
Weekend pass: £18 (+£1 booking fee)

 

John Paizs’ Crime Wave on DCP

IMG_0517

“Imagine if Steve Buscemi’s character from Ghost World made a movie, with levels of deadpan that make Jim Jarmusch look like Baz Luhrmann… but with a lurid perversion in every lovingly Bolexed frame that would make Baz blush.” Castle Cinema

“It’s a joyous, uninhibited film, with each frame fit to burst with visual jokes and ideas. Scenes resemble at times live action Far Side panels, delivering buckets of deadpan, obsidian-black comedy. If there’s a funnier Canadian film out there, we haven’t seen it.” The Skinny

We first screened John Paizs’ incredible lost classic Crime Wave at Glasgow Film Festival 2017. Thanks to GFF’s partnership, not only were we able to bring John across for the screening, we also screened TIFF‘s 2K digital restoration of the film, the first time audiences outside North America had seen it. We then partnered with Canadian distributors Winnipeg Film Group to bring Crime Wave back for a series of screenings, first for Scalarama in September, and then across the UK throughout October and November.

Now, thanks to the Castle Cinema in London (and some final testing at the Grosvenor Cinema, Glasgow), we have our very own DCP to screen from. A DCP is essentially the digital version of a 35mm print. Having one in the UK will hopefully lead to many, many more screenings of John’s amazing, criminally underseen film (read more about Crime Wave here).

Matchbox Cineclub are acting as proxy for Winnipeg Film Group in booking UK screenings. If you’d like to book a UK/DCP screening of Crime Wave, email us for details/terms: matchboxcine@gmail.com

This slideshow requires JavaScript.