News

Matchbox Cineclub Online: How to Watch

If you’re joining us for Tales From Winnipeg, our first online screening season, we have a few helpful recommendations and information to help you fully enjoy your viewing expereince at home.

Matchbox Cineclub: Tales From Winnipeg is a limited online-only season in celebration of the Winnipeg Film Group, hosted on our new online platform, here. The programme, which features rare and exclusive work from John Paizs, Guy Maddin, Kevin Nikkel & Dave Barber, takes place over three days, 28th-30th August 2020. Festival passes are available here and single tickets are available via each film’s page, here. To help you get the best from the season, we’ve put together the following guide. If you can’t find what you need here, send us an email: info@matchboxcineclub.com.

1. We recommend using Google Chrome. We have found Firefox, Internet Explorer, Edge and Safari to be less reliable for streaming films.

  • To download Chrome on your computer or to get the latest update click here.
  • Or search “Google Chrome” in the App Store / Play Store if you are using a phone or tablet.

2. We encourage you to watch the film in full-screen mode by hovering your cursor over the video window and clicking the symbol that appears in the bottom-right corner (see below).

3. The stream is available in up to 1080p quality, which you can opt for by hovering your cursor over the video window and clicking the Resolution symbol, then selecting a resolution option (see below). Please note your internet speed may not accommodate seamless viewing at 1080p.

4. You can switch on SDH/captions/subtitles for d/Deaf and Hard of Hearing audieneces, or French language subtitles, by hovering your cursor over the video window and clicking the “CC” symbol that appears in the bottom-right corner.

5. Issues such as looping and lagging are most often sorted by refreshing the page.

6. To improve the strength of your internet connection, try to limit the number of devices connected to the router you are using. We also recommend closing all other windows, programmes and apps on the device you are using to watch the film.

7. It can help to bring your device closer to your router if you find your internet connection is poor.

8. If the film unexpectedly stops playing, please check your internet connection and try restarting your router.

Tales from Winnipeg-specific guidance

  • To access each film, pass holders must log in with the email they booked with, click the “Buy tickets / use pass to unlock films” button on any film programme, and you will be able to use your pass to unlock it.
  • Before a film programme goes live, you can pre-order your ticket. Once it’s live, unlocking a film is immediate.
  • Festival pass holders have access to all content once each event goes live until midnight on Tuesday 01/09. 
  • Festival pass holders will receive a Tales From Winnipeg zine via post once they have emailed us their delivery address at info@matchboxcineclub.com
  • Your individual ticket booking gives you automatic access to all content in a film’s package  – you do not need to reserve any additional tickets for additional content such as short films, Q&As, introductions and live performance. 
  • Ela Orleans’ live performance will live stream from 6pm on Friday 28/08, and will be archived for viewing shortly afterwards. 
  • Feature films and other additional content, including short films, Q&As and introductions can be viewed in any order, once the event goes live. 
  • For further queries and troubleshooting please contact the Matchbox Cineclub team at info@matchboxcineclub.com

Festival Passes for Matchbox Cine: Tales from Winnipeg are available here and single tickets are available via each film’s page, here

Thanks to Cample Line and Alchemy Film & Arts for the work which formed the basis of this guidance

Matchbox Cine’s Tales from Winnipeg event is part of Film Feels Connected, a UK-wide cinema season, supported by the National Lottery and BFI Film Audience Network. Explore all films and events at filmfeels.co.uk

Supported by the High Commission of Canada in the UK

Matchbox Cineclub Online: Tales from Winnipeg

Matchbox Cineclub launch online and internationally with Guy Maddin, Ela Orleans and John Paizs exclusives

We are thrilled to announce our new online platform, launching with a trip to weirdest Canada with our inaugural programme, Tales from Winnipeg. Following our contribution to Glasgow Short Film Festival’s DIVE IN Cinema project, this marks a significant step for us into the world of screening films online. The four-day online event celebrates the output of the legendary, renegade Winnipeg Film Group, with exclusives from icons of cult cinema Guy Maddin and John Paizs. The season runs online at talesfromwinnipeg.eventive.org from August 28th to 30th, with a new film premiering each day and remaining available for the duration of the programme.

Tales from Winnipeg opens with Guy Maddin’s Cowards Bend the Knee, presented with Ela Orleans’ director-approved re-score, commissioned by Matchbox Cineclub in 2017. Ela will perform a live set via Zoom before the film debuts. Guy Maddin will introduce the film, and joins Ela in conversation afterwards. John Paizs’ cult classic Crime Wave joins the line-up on Saturday, with the online debut of Toronto International Film Festival’s 2K restoration – the beloved film has never looked or sounded better. The 2017 documentary Tales from the Winnipeg Film Group debuts on Sunday evening, framed with an introduction and post-screening conversation with directors Kevin Nikkel and Dave Barber. All films in the programme come with brand-new, director-approved subtitles for D/deaf audiences.

The Tales from Winnipeg programme is full of specially-curated bonus content, in the form of pre-show reels, introductions, live performances, Q&As and short films. Matchbox Cineclub have also produced an accompanying print publication, featuring brand-new artwork by Paizs and Maddin, new poster illustrations by Glasgow-based artist Marc Baines, an exclusive interview with Guy Maddin, an article by Geoff Pevere on John Paizs and Crime Wave, and newly-commissioned writing by director and Winnipeg Cinematheque programmer Dave Barber.

Guy Maddin’s Cowards Bend the Knee

Matchbox Cineclub programmer Sean Welsh says, “When the pandemic hit, like everyone else, we found our entire upcoming slate wiped clean. As independent exhibitors, we face a longer journey back to normal than cinemas do, since socially distant events are much less viable for us. At the same time, we can take the opportunity to explore all the new possibilities that online events offer, particularly in terms of accessibility and international reach. We’re very excited to present this first programme with optional captions/SDH throughout, and for the first time we can offer French subtitles on our feature presentations too. We’re also thrilled to work with some of our heroes, Guy Maddin, Ela Orleans and John Paizs, to present their work online for the first time in the best way possible.”

Weekend Passes, which grant unlimited access to all films, additional content and a physical copy of the print publication, are £20. Individual tickets to a single film for a limited period are priced on a pay-what-you-can-afford sliding-scale ticket from £0-8, with reference to Matchbox’s Sliding Scale Guide. The programme is available to audiences everywhere, with the exception of North America.


Tickets for Tales from Winnipeg are on sale via Eventive here.

Buy the Tales from Winnipeg zine (free for weekend pass holders) here.

Keep up-to-date with the Tales from Winnipeg Facebook event page here.

The season is part of Film Feels Connected, a UK-wide cinema season, supported by the National Lottery and BFI Film Audience Network. Explore all films and events at filmfeels.co.uk.

The season is supported by Film Feels Connected, Film Hub Scotland and the High Commission of Canada in the UK. #CanadaGoesDigital

Scalarama 2020: Accessibility

This month, we invited Alison Smith, Charlotte Little and Andrew Miller to discuss making events accessible for all audiences.

This month, we hosted a roundtable for Scalarama Glasgow to discuss how organisations, independent exhibitors and programmers can ensure their events, both online and IRL, are accessible to disabled audiences. We invited Alison Smith (Pesky People), Charlotte Little (Film journalist for Flip Screen and UK Film Review) and Andrew Miller (UK Government Disability Champion Arts & Culture and Chair of BFI’s Disability Screen Advisory Forum). Our guests spoke about how organisations can sincerely build in accessability for D/deaf and disabled audiences throughout their events and the ways in which the COVID19 pandemic has exacerbated inaccessability.

You know, that whole fear of missing out? Well, we’re getting it in spades.” Alison Smith, on disabled audiences and online activities.

The sessions highlighted that the pandemic possess a real threat to the progress made in the UK in regards to disablity access to arts and disabled representation. Including serious issues with the UK Cinema Assocations re-opening guidelines, considerations to be taken for audiences who find communcation with mask-wearers difficult and some handy tips on how to bake-in accessible provisons from the planning stages onwards.

You can watch the entire roundtable here (embedded above, with subtitles), read the transcript here or browse the minutes here

Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on FacebookTwitter and Instagram to stay up-to-date.

The next monthly roundtable, focussing the independent exhibitor’s timeline for returning to events, will be on Sunday 9th August, on Zoom. Details via the Facebook page, here.

Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI. 

The Obsession of John Paizs

John Paizs is a legendary figure in Canadian cinema whose pivotal and influential cult masterpiece Crime Wave (1985) continues to entrance audiences but elude mainstream recognition. Following our UK premiere of the restored Crime Wave at Glasgow Film Festival, 2017, we are delighted to present his first major work, The Obsession of Billy Botski, on its 40th anniversary, as part of Glasgow Short Film Festival’s DIVE IN Cinema season. Watch it now here.

In The Obsession of Billy Botski, “a young man meets his obsession, a ghostly 60s Playboy-bunny styled “Connie”, and is never the same!”

The film is accompanied by The Obsession of John Paizs, a brand-new 26min video created by Matchbox Cineclub, featuring a rare and exclusive interview with Paizs himself. Our DIVE IN programme is live for only 48 hours from 10am on 18th July, and The Obsession of John Paizs will not be available anywhere afterwards. The entire programme features all-new optional English SDH/captions for D/deaf audiences, created by Matchbox Cinesub.

DIVE IN Cinema is a donation-based online season, coordinated by Glasgow Short Film Festival’s Sanne Jehoul and programmed by a cohort of Scottish independent exhibitors and film festivals.

Thanks to John Paizs, Winnipeg Film Group and VUCAVU. 

The Winnipeg Film Group, founded in 1974, is an artist-run education, production, exhibition and distribution centre committed to promoting the art of cinema. 

VUCAVU is an online screening platform working with independent film and video distributors from across Canada to improve access to Canadian works and to provide greater national and international awareness of Canadian filmmakers and video artists. 

DIVE IN Cinema is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.

Scalarama 2020: Inclusion

We invited We Are Parable, Watershed, Umulkhayr Mohamed and Inclusive Cinema to discuss making programming and organisations sincerely inclusive

This month, we hosted a roundtable for Scalarama Glasgow to discuss how organisations, independent exhibitors and programmers can work to make their programmes and events sincerely inclusive. We invited Anthony Andrews (We Are Parable), Umulkhayr Mohamed (freelance consultant, writer, curator), Clare Reddington (Bristol’s Watershed) and Toki Allison (Film Hub Wales’ Inclusive Cinema). dardishi, originally billed, were unfortunately unable to take part due to illness. Our invited guests spoke on their work for and with Black and ethnic minority audiences, their experience of institutional racism and the increasing demand for sincere and lasting change to take hold in our industry. Resources were shared to help educate, interrogate our institutions and inform develop practical ways to overhaul the sector.

This session highlighted some of the fundamental changes that need to occur to sincerely undermine oppressive and racist systems which underpin the film exhibition sector, and which make it near-impossible for Black and minority ethnic practitioners to progress with parity, professionally. These include debunking the concept of whiteness as the neutral state, professionalism (“Western professionalism is rooted in white supremacy”), increasing personal and organsational accountability, and addressing the pressures put on non-white staff and colleagues to deal with institutional, white racism.

You can watch the entire roundtable here (embedded above, with subtitles), read the transcript here or browse the minutes here

Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on FacebookTwitter and Instagram to stay up-to-date.

The next monthly roundtable, focussing on accessibility for online and IRL screenings takes place on Sunday 19th July, on Zoom. Details via the Facebook page, here.

Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI. 

KeanuCon 2020 Zine

KeanuCon 2020, our second annual Keanu Reeves film festival, was cancelled due to COVID-19 – so we made this 28-page zine instead, with contributions from the world’s foremost Keanu aficionados.

The KeanuCon 2020 zine is here! It’s free to all weekend-pass-holders-that-were and £5 from our online shop, here.

As originally intended, this publication would have accompanied our second annual Keanu Reeves film festival, KeanuCon 2020, scheduled to take place 19th-21st June at the Centre for Contemporary Arts, Glasgow. Although the festival was ultimately cancelled due to COVID-19, we are very happy to be able to share this celebratory collection of Keanu-themed writing and artwork with you. This first KeanuCon zine is dedicated to every scientist, doctor, nurse and front-line worker currently saving our world.

The zine features 28 pages of Keanu goodness, featuring brand-new artwork from Vero Navarro and writing and articles by Bim Adewunmi (Thirst Aid Kit), Claire Biddles (FWYL), Kitty Curran and Larissa Zageris (For Your Consideration: Keanu Reeves), Will Harris (Mixed Race Superman), Nichole Perkins (Thirst Aid Kit) AND “Keanu as Disney Princes” colouring-in pages by Crystal Ro.

We’re really happy with how it turned out and we hope you’ll enjoy it too. KeanuCon will return. In the meantime – be excellent to each other.

Thanks to Ex Why Zed for a typically brilliant job on the printing, and yes, we will have prints of Vero’s beautiful cover artwork before too long too. 

Scalarama 2020: Film Exhibition Online

We invited AGFA, Arrow Video, Factory25, Modern Films, Northwest Film Forum and Spectacle Theater to discuss models for online screenings

Last week, we hosted a roundtable for Scalarama Glasgow to discuss different models for screening films independently online. We invited a variety of guests with recent experience delivering programmes online in various contexts, including New York’s Spectacle Theater, whose team of volunteers usually deliver their programme to a maximum of 35 people in their Brooklyn microcinema and now curate Twitch streams for hundreds of people at a time.

We also welcomed the American Genre Film Archive, based in Austin, Texas, who work with and advise distributors and exhibitors, as well as producing their own content, and Seattle’s Northwest Film Forum, who have developed their own timed screening format for rentals, including the online debut of Paul Bartel’s “lost” final film, Shelf Life.

We also invited distributors like Arrow Video, based in UK but distributing internationally, Factory25, whose recent Other Music documentary was released in collaboration with a variety of independent organisations, and the UK’s Modern Films, who have quickly pivoted to their own online release platform, working with a variety of exhibitors.

You can watch the entire roundtable here (embedded above, with subtitles), read the transcript here or browse the minutes here

Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on FacebookTwitter and Instagram to stay up-to-date.

The next monthly roundtable, focussing on accessibility for online and IRL screenings takes place on Sunday 21st June, on Zoom. Details via the Facebook page, here.

Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI. 

Don’t Let it Break Your Heart: Film Programmer Kier-La Janisse In Conversation

Legendary film programmer Kier-La Janisse joined us for a conversation on her career in cult film, from basement screenings to international film festivals and beyond

Fearless film programmer and Matchbox hero Kier-La Janisse joined us last week via Zoom to discuss her inspirational career in cinema. In a two-hour conversation, Kier-La very generously held forth on everything from her zine editing to basement horror screenings; to founding the CineMuerte film festival; to programming the Alamo Drafthouse; to running her own micro cinema; to publishing her landmark memoir House of Psychotic Women; to launching her own publishing house, Spectacular Optical.

Kier-La shared the secrets of her Cannibal Holocausticles, her Montreal microcinema Blue Sunshine (more on that and the scene around it in Donna de Ville’s dissertation, The Microcinema Movement and Montreal), and her hilariously ill-fated stint as a scout for Drafthouse Films. We also heard some of the highlights of her career in genre film programming, including screening Until the Light Takes Us onto a screen made of snow in the dead of the Canadian winter, hosting Deep End in a swimming pool surrounded with electrical equipment and recruiting Udo Kier to help live dub an unsubtitled print of Black Bell of the Tarantula.

Watch our Kier-La Janisse-inspired playlist

We also had a chance to quiz the veteran programmer on the ethics of film programming, the evolution of horror fandom, her advice for aspiring programmers and some of her favourite films – including some of her most memorable screenings, her wishlist and the ones that got away.

You can watch the whole conversation on our Vimeo page here, or YouTube here, or you can read the transcript here.


Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on FacebookTwitter and Instagram to stay up-to-date.

The next monthly roundtable takes place on Sunday 24th May, on Zoom. Details via the Facebook page, here.

Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI. 

spectacularoptical.ca
miskatonicinstitute.com
severin-films.com

KeanuCon 2020 Cancelled

Our second annual Keanu Reeves Film Festival has been cancelled until further notice due to COVID-19 – refunds will be issued automatically, full details below

We are very sad to announce that KeanuCon will not take place as planned in 2020. Refunds will take place automatically and weekend pass holders have been informed directly. We plan to relaunch KeanuCon IRL in 2021, dates TBC. If you have any questions after reading all of the details below, get in touch: info@matchboxcineclub.com.

Please enjoy this special memory of our Wyld Stallyns performing live at KeanuCon 2019 and Be Excellent To Each Other until further notice.

We have/had been working hard on alternative plans, including rescheduled dates for later in 2020, which is one reason why updates have been scarce as goalposts continually shifted, but it’s become clear that despite our best efforts and hopes, the festival will be impossible to deliver this year (more detail below).

We are looking at the best ways to bring everyone together to celebrate Keanu online (watch this space for those), around the original dates, and we’re happy to say weekend pass holders will all receive our KeanuCon brochure/zine, with new and exclusive content from Vero Navarro (beloved KeanuCon illustrator), Kitty Curran & Larissa Zageris (For Your Consideration: Keanu Reeves), Will Harris (Mixed Race Superman) and more TBC.

NB The brochure/zine will go out to all weekend pass holders, regardless of automatic refunds. If you would like to waive your refund by way of donation to support Matchbox Cineclub/KeanuCon, thank you very much and please get in touch here: info@matchboxcineclub.com.

In more detail:

Our original dates in June are impossible to deliver due to the current circumstances (our venue, CCA Glasgow, is closed until July at the earliest). We had confirmed rescheduled dates in August, but these are now unviable since CCA will be closed until the end of July at the earliest, with no way of knowing with any certainty that it will reopen fully in August. This makes it difficult for us to plan and promote the event in good faith, or for audience members to make plans to attend.

CCA is smaller in capacity than mainstream cinemas. Even when mainstream cinemas re-open (no earlier than July 4th, and still contingent on a significant reduction in confirmed cases of COVID-19), they will have to adhere to the COVID-19 Secure guidelines, which at present involve distancing between individuals, enhanced hygiene and limiting numbers of people in any one space. This will impact events like ours even more severely again, since we have a lower capacity to begin with. Clearing and cleaning the theatre space between screening will make back-to-back screenings and day-long events next to impossible to deliver practically and safely, for audiences and staff.

Additionally, CCA’s theatre has a capacity of 150, which would potentially be reduced to 50 under these guidelines. We already have sold in excess of 50 weekend passes and we’d expect to sell out the venue in normal circumstances. The costs involved in venue hire, film licences, marketing and everything else involved couldn’t be covered with an audience of only 50 without dramatically impacting ticket prices. 50 attendees would make for an intimate and certainly fun event, but sadly wouldn’t be practical financially (NB at the best of times no other local cinemas could accomodate KeanuCon without charging an impossible fee).

Finally, while we are optimistic that more activity will be possible towards the end of the year (including our rescheduled Remakesploitation Fest), CCA has a full calendar at the best of times and even if we were 100% confident of being able to deliver KeanuCon to the standard and capacity it deserves, there simply aren’t dates available to us for the rest of the year, among events that were already booked and those that have been rescheduled since the advent of COVID-19 (assuming, of course, any of these will be able to take place anyway).

We’re very sad about it, but know that we’ll get through this and celebrate (Keanu) together before too long.

KeanuCon will return x

Scalarama 2020: Film Licences

Our second Scalarama roundtable of 2020 (hosted on Zoom, Sunday 26/04/20) continued to explore the new challenges independent exhibitors are faced with, but also invited special guests from across the UK and Europe to talk about their current activities. Our main focus was on film licensing, with special guest Greg Walker (Pilot Light TV Festival) on hand to talk about his experiences, good and bad, and share some useful advice.

We passed along updates on current plans for Drive-In screenings across the UK, from Live Cinema and we welcomed Anna Kubelik from Window Flicks, who discussed the development and delivery of their ongoing public screening project in Berlin. Caris from Rianne Pictures spoke about their online quiz collaboration with Screen Queens and Ben from Penarth’s Snowcat Cinema shared his programme of online engagement. Closer to home, Backseat Bingo‘s Casci Ritchie reported on their recent Prince-themed watch-along and Lauren Clark of Femspectives spoke on their ongoing #FemspectivesAtHome activities.

You can watch the entire roundtable here (embedded below, with subtitles), read the transcript here or browse the minutes here. Our 2019 hand-out on the principles and practicalities of film licensing is here.

The next roundtable is Sunday 24th May on Zoom, and we’ll have guests from the world of film exhibition and distribution to discuss new approaches to hosting film screenings online (NB not watch-alongs). Before that, we have a spin-off special in the shape of a In Conversation event with Canadian film programmer and writer Kier-La Janisse on Sunday 10th May, 6-8pm. Read all about that here.

Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on FacebookTwitter and Instagram to stay up-to-date.

The next monthly roundtable takes place on Sunday 24th May, on Zoom. Details via the Facebook page, here.

Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.