We’re leaving Glasgow

After 10 years of hosting film events all around Glasgow, we’re moving to Bristol

After ten years (and a particularly busy most recent five), Matchbox Cineclub is leaving Glasgow and relocating to Bristol.

For at least the next three years, we’re going to be based in Bristol. We’ll be back every so often (we have at least one Glasgow event planned in 2021), but mostly we’ll be in Bristol, and we don’t yet know what that’ll mean for any IRL events.

This weekend (3rd-6th September, 2020), we should’ve been hosting Weird Weekend III at CCA Glasgow. 2020, cursed year, should’ve seen our cult film festival level up to a much bigger festival. Our plans and even programming for it have been underway since before last year’s festival. Those plans had to be scrapped, rethought, redeveloped, revised and the scrapped again. We accounted for postponement, downscaling, hybrid approaches and completely online versions, but it just wasn’t meant to be this year.

We will be doing more online programming, like our Tales From Winnipeg online-only season, and Weird Weekend will certainly return in some form. But we also want to take some time to rest (we’ve also subtitled 250+ films in the last two months) and regroup, for the first time in several years.

We’ll be handing over the reins of Scalarama Glasgow year-round planning and delivery too (let us know if you’re interested in being involved with that!), and we’re very glad to look around and see so many great independent film exhibitors in Glasgow – folks like Backseat Bingo, Cinemaattic GlasgowPity Party Film ClubQueer ClassicsRed Thread Film ClubSouthern ExposureTrash cinema, Unmellow MoviesVenom Mob Film Club and many more. Hopefully they’ll all be back screening films before too long.

We want to say a very big thank you to everyone who has supported us over the last 10(!) years in Glasgow, particularly CCA GlasgowThe Old HairdressersFilm Hub Scotland, all our fellow exhibitors, to everyone that’s come to one of our events and, most of all, to those of you who’ve come to several.

It’s very strange to be planning to leave like this. We would’ve loved to host a farewell screening or just had some drinks in a big room, but none of that’s possible. Maybe, with no rooms to set, A/V to prep, bands to soundcheck, bookings to find, tickets to take, guests to entertain, merch to sell, last-minute social media to do, etc, etc, we’d have finally properly prepared an address for the audience, rather than busking some last-minute jibber-jabber. But then probably not. Hands up if you’ve already seen this one.

We love Glasgow and we’ll miss you very much.

Sean + Megan x


This website is full of stuff, interviews, articles, etc, and will become even more active now. You can find our archive of posters and event photographs on Flickr and our trailers and video content on Vimeo and YouTube. Zines, posters and merch are on sale in our shop, matchboxcineclub.bigcartel.com. 

You can also find us on Twitter and Instagram.

And you can keep up-to-date with our mailing list here: eepurl.com/duX1R9

Illustration: Vero Navarro, as commissioned by Matchbox Maw Linda Dougherty (Christmas, 2019)

Matchbox Cineclub Online: How to Watch

If you’re joining us for Tales From Winnipeg, our first online screening season, we have a few helpful recommendations and information to help you fully enjoy your viewing expereince at home.

Matchbox Cineclub: Tales From Winnipeg is a limited online-only season in celebration of the Winnipeg Film Group, hosted on our new online platform, here. The programme, which features rare and exclusive work from John Paizs, Guy Maddin, Kevin Nikkel & Dave Barber, takes place over three days, 28th-30th August 2020. Festival passes are available here and single tickets are available via each film’s page, here. To help you get the best from the season, we’ve put together the following guide. If you can’t find what you need here, send us an email: info@matchboxcineclub.com.

1. We recommend using Google Chrome. We have found Firefox, Internet Explorer, Edge and Safari to be less reliable for streaming films.

  • To download Chrome on your computer or to get the latest update click here.
  • Or search “Google Chrome” in the App Store / Play Store if you are using a phone or tablet.

2. We encourage you to watch the film in full-screen mode by hovering your cursor over the video window and clicking the symbol that appears in the bottom-right corner (see below).

3. The stream is available in up to 1080p quality, which you can opt for by hovering your cursor over the video window and clicking the Resolution symbol, then selecting a resolution option (see below). Please note your internet speed may not accommodate seamless viewing at 1080p.

4. You can switch on SDH/captions/subtitles for d/Deaf and Hard of Hearing audieneces, or French language subtitles, by hovering your cursor over the video window and clicking the “CC” symbol that appears in the bottom-right corner.

5. Issues such as looping and lagging are most often sorted by refreshing the page.

6. To improve the strength of your internet connection, try to limit the number of devices connected to the router you are using. We also recommend closing all other windows, programmes and apps on the device you are using to watch the film.

7. It can help to bring your device closer to your router if you find your internet connection is poor.

8. If the film unexpectedly stops playing, please check your internet connection and try restarting your router.

Tales from Winnipeg-specific guidance

  • To access each film, pass holders must log in with the email they booked with, click the “Buy tickets / use pass to unlock films” button on any film programme, and you will be able to use your pass to unlock it.
  • Before a film programme goes live, you can pre-order your ticket. Once it’s live, unlocking a film is immediate.
  • Festival pass holders have access to all content once each event goes live until midnight on Tuesday 01/09. 
  • Festival pass holders will receive a Tales From Winnipeg zine via post once they have emailed us their delivery address at info@matchboxcineclub.com
  • Your individual ticket booking gives you automatic access to all content in a film’s package  – you do not need to reserve any additional tickets for additional content such as short films, Q&As, introductions and live performance. 
  • Ela Orleans’ live performance will live stream from 6pm on Friday 28/08, and will be archived for viewing shortly afterwards. 
  • Feature films and other additional content, including short films, Q&As and introductions can be viewed in any order, once the event goes live. 
  • For further queries and troubleshooting please contact the Matchbox Cineclub team at info@matchboxcineclub.com

Festival Passes for Matchbox Cine: Tales from Winnipeg are available here and single tickets are available via each film’s page, here

Thanks to Cample Line and Alchemy Film & Arts for the work which formed the basis of this guidance

Matchbox Cine’s Tales from Winnipeg event is part of Film Feels Connected, a UK-wide cinema season, supported by the National Lottery and BFI Film Audience Network. Explore all films and events at filmfeels.co.uk

Supported by the High Commission of Canada in the UK

Matchbox Cineclub Online: Tales from Winnipeg

Matchbox Cineclub launch online and internationally with Guy Maddin, Ela Orleans and John Paizs exclusives

We are thrilled to announce our new online platform, launching with a trip to weirdest Canada with our inaugural programme, Tales from Winnipeg. Following our contribution to Glasgow Short Film Festival’s DIVE IN Cinema project, this marks a significant step for us into the world of screening films online. The four-day online event celebrates the output of the legendary, renegade Winnipeg Film Group, with exclusives from icons of cult cinema Guy Maddin and John Paizs. The season runs online at talesfromwinnipeg.eventive.org from August 28th to 30th, with a new film premiering each day and remaining available for the duration of the programme.

Tales from Winnipeg opens with Guy Maddin’s Cowards Bend the Knee, presented with Ela Orleans’ director-approved re-score, commissioned by Matchbox Cineclub in 2017. Ela will perform a live set via Zoom before the film debuts. Guy Maddin will introduce the film, and joins Ela in conversation afterwards. John Paizs’ cult classic Crime Wave joins the line-up on Saturday, with the online debut of Toronto International Film Festival’s 2K restoration – the beloved film has never looked or sounded better. The 2017 documentary Tales from the Winnipeg Film Group debuts on Sunday evening, framed with an introduction and post-screening conversation with directors Kevin Nikkel and Dave Barber. All films in the programme come with brand-new, director-approved subtitles for D/deaf audiences.

The Tales from Winnipeg programme is full of specially-curated bonus content, in the form of pre-show reels, introductions, live performances, Q&As and short films. Matchbox Cineclub have also produced an accompanying print publication, featuring brand-new artwork by Paizs and Maddin, new poster illustrations by Glasgow-based artist Marc Baines, an exclusive interview with Guy Maddin, an article by Geoff Pevere on John Paizs and Crime Wave, and newly-commissioned writing by director and Winnipeg Cinematheque programmer Dave Barber.

Guy Maddin’s Cowards Bend the Knee

Matchbox Cineclub programmer Sean Welsh says, “When the pandemic hit, like everyone else, we found our entire upcoming slate wiped clean. As independent exhibitors, we face a longer journey back to normal than cinemas do, since socially distant events are much less viable for us. At the same time, we can take the opportunity to explore all the new possibilities that online events offer, particularly in terms of accessibility and international reach. We’re very excited to present this first programme with optional captions/SDH throughout, and for the first time we can offer French subtitles on our feature presentations too. We’re also thrilled to work with some of our heroes, Guy Maddin, Ela Orleans and John Paizs, to present their work online for the first time in the best way possible.”

Weekend Passes, which grant unlimited access to all films, additional content and a physical copy of the print publication, are £20. Individual tickets to a single film for a limited period are priced on a pay-what-you-can-afford sliding-scale ticket from £0-8, with reference to Matchbox’s Sliding Scale Guide. The programme is available to audiences everywhere, with the exception of North America.


Tickets for Tales from Winnipeg are on sale via Eventive here.

Buy the Tales from Winnipeg zine (free for weekend pass holders) here.

Keep up-to-date with the Tales from Winnipeg Facebook event page here.

The season is part of Film Feels Connected, a UK-wide cinema season, supported by the National Lottery and BFI Film Audience Network. Explore all films and events at filmfeels.co.uk.

The season is supported by Film Feels Connected, Film Hub Scotland and the High Commission of Canada in the UK. #CanadaGoesDigital