We’re delighted to announce that Marco Kyris, Nicolas Cage’s official stand-in for over 10 years, through his iconic Action trilogy and almost 20 films, will be joining us for a live Skype Q&A on Saturday at Cage-A-Rama 2018!
Marco Kyris was born and raised in Toronto, Canada on Oct 14, 1961 [Nee Evrimahos Kyriakakis] to Greek immigrant parents. Growing up in a non English speaking house in Greektown with two siblings proved difficult for Marco, who was challenged academically and never kept up with school or family ties.
He was more of talker, like a TV show host, and worked that naturally into retail and restaurant skills over his teens and twenties.
Moved to Paris at 21 to soak in the culture and learn French while waitering, then to Los Angeles to try his skills in acting while working as a maitre’d, and meeting the stars of that era. Taking acting classes and getting bit parts that came and went, Marco was disillusioned by LA and not succeeding, so after several years he moved back home to Toronto to start over again.
While settling back, he had an audition to be Nicolas Cage’s stand-in for a winter theme film there. He got the gig, and ended up befriending Cage. Nic thought Marco was just right to be his permanent stand-in, as Cage was becoming an A list actor and was building a traveling team of hair, make-up, wardrobe, stunt, and stand-in. This turned into a 10-year-long career of almost 20 films with Mr Cage and his entourage.
All on buddy terms, they travelled many cities, states, and countries over those years, working on Cage’s most iconic and memorable films to date, including his trio of action films. Hard working and well respected as all of Cage’s team was, it was time to move on as the biz was changing, and Cage seemed like he needed a fresh start, as he masterfully re-invents himself when necessary.
Marco and the team were also ready to retire into a more calming life. It was a welcome halt from movie madness travel in the Cage Wage World.
Marco has been living in Toronto ever since, and bought into real estate holdings as a long term retirement, but travels back to LA yearly to enjoy winter with film friends.
He is currently working on his memoirs of that time, and has a podcast with guests of his film past (Babble B.S. And Beyond). Check out his website at www.mkyris.com for more fun photos from behind the scenes of your favourite Cage flicks.
Marco is recording a special introduction to the action trilogy and will be joining us live from Toronto after the screening of Con Air.
Tickets from CCA: Book online, 0141 352 4900.
Keep up-to-date with the CAGE-A-RAMA 2018 Facebook event page here.
£4 (+£1 booking fee) per film
Day pass: £9 (+£1 booking fee)
Weekend pass: £18 (+£1 booking fee)
“Imagine if Steve Buscemi’s character from Ghost World made a movie, with levels of deadpan that make Jim Jarmusch look like Baz Luhrmann… but with a lurid perversion in every lovingly Bolexed frame that would make Baz blush.” Castle Cinema
“It’s a joyous, uninhibited film, with each frame fit to burst with visual jokes and ideas. Scenes resemble at times live action Far Side panels, delivering buckets of deadpan, obsidian-black comedy. If there’s a funnier Canadian film out there, we haven’t seen it.” The Skinny
We first screened John Paizs’ incredible lost classic Crime Wave at Glasgow Film Festival 2017. Thanks to GFF’s partnership, not only were we able to bring John across for the screening, we also screened TIFF‘s 2K digital restoration of the film, the first time audiences outside North America had seen it. We then partnered with Canadian distributors Winnipeg Film Group to bring Crime Wave back for a series of screenings, first for Scalarama in September, and then across the UK throughout October and November.
Now, thanks to the Castle Cinema in London (and some final testing at the Grosvenor Cinema, Glasgow), we have our very own DCP to screen from. A DCP is essentially the digital version of a 35mm print. Having one in the UK will hopefully lead to many, many more screenings of John’s amazing, criminally underseen film (read more about Crime Wave here).
Matchbox Cineclub are acting as proxy for Winnipeg Film Group in booking UK screenings. If you’d like to book a UK/DCP screening of Crime Wave, email us for details/terms: email@example.com
Scalarama is just around the corner and we have some of our biggest and best events lined up for it this September. First, we team up with Video Namaste for an event inspired by Everything Is Terrible, the Found Footage Festival and Adam Buxton’s Bug. Then we have a very special event celebrating the 20th anniversary of Chris Morris’ landmark TV comedy Brass Eye. Our Glasgow events culminate on our regular date at CCA with our very first live score commission. Finally, we’re using Scalarama to launch our first ever tour, bringing back John Paizs’ masterpiece, Crime Wave for its theatrical debut across the UK.
07/09: Video Bacchanal at Nice N Sleazy
The ‘90s in cinema were an amazing nightmare. A sugar-syrup throb of VHS scanlines, dire fast food tie-ins and probably the weirdest time in Arnold Schwarzenegger’s life. Come join the Video Namaste boys in a wee trip through the weird videoshop hellscape of 90s cinema and all the amazing stuff that orbited it. Have a drink, gawk at us forgetting to remember and then have a wee dance with us as we play some Exxtra Special ‘90s soundtrack songs afterwards.
17/09: Oxide Ghosts: The Brass Eye Tapes with director Q&A at CCA
Made from hundreds of hours of unseen material from his personal archive, director Michael Cumming’s film shares insights into the process of making the legendary TV series Brass Eye. Michael directed both the pilots and the series and, over a two-year period, witnessed the highs and lows of Brass Eye from a very personal perspective.
Part documentary, part artwork – the film is designed solely for live screenings and is made up almost entirely of never before seen footage. Oxide Ghosts carries the blessing of Chris Morris and provides a rare glimpse of his extraordinary working practices.
Michael will be doing a Q&A after the film – spilling beans, shattering myths and letting a few cats out of the bag. Celebrating 20 years since Brass Eye’s transmission in 1997, this film and Q&A session are a must for fans of the series but will appeal to anyone with a curiosity about how great comedy is made.
21/09: Cowards Bend The Knee with live score by Ela Orleans at CCA
Guy Maddin is one of the most distinctive and idiosyncratic directors currently working. The Canadian auteur has mined and subverted the imagery and style of late silent and early sound cinema in such films as The Forbidden Room and The Saddest Music In The World to disorientating, often hilarious effect. Cowards Bend The Knee is one his greatest, but least-known films. Originally conceived of and presented as a peephole show, the film’s ten chapters concoct an alternative cinematic biography for Maddin, torn between the influence of his hockey star father and his attraction to Meta, the beautiful girl from the local beauty salon / illegal abortion clinic.
This is Guy Maddin in purest form, the most concentrated and probably craziest film of his career. Never have hockey, hairdressing, homophobia and hand amputations collided to such dizzying effect, in perhaps the most authentically surrealist film of the 21st century. For Scalarama, Matchbox Cineclub have commissioned Ela Orleans to write a new score.
Ela Orleans has gained an international cult reputation for her haunted, noir-inflected torch songs. She recently came to more mainstream attention when her magnum opus Circles of Upper and Lower Hell was nominated for the SAY Awards. However, the Polish-born musician has a parallel career, scoring film soundtracks having studied composition under David Shire (The Conversation, The Taking of Pelham 123) in New York. She has composed new soundtracks for films as diverse as Frank Borzage’s Lucky Star, Carl Dreyer’s Vampyr and Jack Smith’s Flaming Creatures.
After the screening, journalist Brian Beadie will discuss Ela’s work and approaches to film scoring.
September and beyond: Crime Wave DCP tour at various UK venues
One of the greatest and yet most perversely overlooked debuts in Canadian movie history, writer-director John Paizs’s Crime Wave announced the birth of a new genre in Canuck cinema: what cultural critic Geoff Pevere dubbed “prairie postmodernism.” Crime Wave’s recent restoration by TIFF debuted to a rapturous reception during Glasgow Film Festival 2017, programmed by us. Still unavailable on DVD, VOD or streaming, Paizs’ lost classic now comes to UK theatres for the first time. Dates are confirmed at DCA (Dundee), Castle Cinema (London), Hawick and HOME (Manchester).
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Kung saan ay Weng Weng?
Our next screening is a co-presentation with GFT, of the documentary The Search For Weng Weng. Director Andrew Leavold will be present to introduce the film and take part in a post-screening Q&A, hosted by journalist Graham Rae. Check out the trailer:
Australian video store owner-turned-guerrilla filmmaker Andrew Leavold stumbled across a dubbed copy of B-movie For Your Height Only, featuring a 3-foot tall James Bond–type character, played by Filipino actor Weng Weng. This hugely entertaining documentary follows Leavold’s ensuing two-decade obsession with Weng Weng, as he travels to Manila to try and track down the elusive former novelty star. Comprising of interviews with filmmakers and footage of Leavold’s adventures, The Search For Weng Weng is a surprisingly moving exploration of the life and career of the obscure actor.
Saturday 05/08 at GFT. Tickets are available here.
Radioactive Dreams (Albert Pyun, 1985) is our November 2016 screening.
17/11 at CCA Glasgow. Get yr tickets now: bit.ly/2euF5Uy.
We’re honoured to present Dylan Cave’s excellent article on our July film, Long Shot (Maurice Hatton, 1978), from the Sight & Sound series on overlooked films currently unavailable on DVD or Blu Ray.
Used with permission, courtesy Sight & Sound. Unauthorised use is forbidden. This article originally appeared in the June 2016 issue. www.bfi.org.uk/sightandsound.