Joe Dante’s The Movie Orgy

A mind-bending predecessor to the modern mash-up, The Movie Orgy (1968) is also the Rosetta Stone for Joe Dante’s oeuvre and a must-experience for movie fans and cinephiles alike.

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Before Gremlins, before The Howling, before he started his career cutting trailers for Roger Corman, Joe Dante hosted the 7.5 hour All Night Once In A Lifetime Atomic Movie Orgy. An ever-evolving edit, it was a communal experience – a mind-bending predecessor to the modern mash-up with no definitive version. Matchbox Cineclub programmer Sean Welsh charts the evolution of The Movie Orgy through five key dates.

October 9th 1965, The Playboy Theater, Chicago

The first screening of An Evening With Batman and Robin, one of two key inspirations for The Movie Orgy. The other was Susan Sontag’s Notes on “Camp” (1964), which popularised the term and inspired the repackaging of the 1943 Batman serial as a single 4.5-hour programme. Audiences laughed at its phony climaxes, marveled at its blatant xenophobia, and it began touring college towns. When Dante caught it, at the World Theater in Philadelphia, he was particularly struck by the camaraderie of the crowd, who “came out into the lobby as if they’d just gotten off a sinking ship.”

Early 1966, Philadelphia College of Art, Philadelphia

Inspired, Dante, a second year student but already a programmer at PCA, decided to host his own Camp Movie Night. The exact date is lost to history, but Dante and collaborator Jon Davison rented the only complete serial available on 16mm in Philadelphia, The Phantom Creeps (1939). They stretched it to seven hours with serials, clips, ads, industrial films and cartoons from their 16mm collections. Its success meant several follow-ups, each a step towards what would shortly become The Movie Orgy, then variously The Movie Orgy 2, The Movie Orgy Strikes Back, Son of the Movie Orgy, Escape to Movie Orgy and Son of Movie Orgy Rides Again.

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March 8th 1970, Filmore East, New York

Although 1968 is commonly held as the term “The Movie Orgy” was first used for Dante and Davison’s project, the performance that film archivist and Orgy expert David Neary describes as “the most important Movie Orgy of all” came in 1970. 1970 was peak Movie Orgy for the pair, who employed dueling projectors (tipping their hats to Andy Warhol’s Chelsea Girls). Davison’s would show various features – in lieu of new serials – and Dante’s would interject, drawing on his panoply of 16mm weirdness. They took their cues from the audience, so no two screenings were alike. Press coverage of the Filmore Orgy drew the attention of Schlitz Beer, who sponsored Orgies to tour colleges for years. But when the new material the Orgy drew upon to keep it alive began itself to be infected with self-referential camp, it was time to call it a day. Dante, already in Hollywood, sold syndication rights for “The Video Orgy” to be screened on college campuses’ closed circuit TV networks.

Dante's Inferno
Credit: Dennis Cozzalio

April 22nd 2008, New Beverly Cinema, Los Angeles

The grand finale of Dante’s Inferno, a two-week retrospective at LA’s legendary rep cinema. Joining the scores of curious film fans were Davison, Allan Arkush, Bill Hader, Edgar Wright and Quentin Tarantino. Dante enjoined the crowd to move about, go outside, have a smoke, grab a pizza and wander back in. The Movie Orgy was always intended as a movie to be walked out on. But the director was curious to if it would play – have any relevance – after years in his vault. It brought the house down.

September 9th 2018, The Old Hairdressers, Glasgow

We’re screening the digital version Dante made for the New Beverly (not the 90min “UK cut” previously screened in London). It’s 4.5 hours long, the official Movie Orgy, “distilled, recaptured and re-curated”, according to archivist David Neary. It’s not the full, wild 16mm experience, of course, but there’s also no Blu Ray coming. “It’s more like a concert in a way,” Dante says, “It’s something that you really have to be there for.”

Sean Welsh


Joe Dante’s The Movie Orgy screens at The Old Hairdressers, Sunday 9th September

Facebook event here. Tickets here.

An edited version of this article originally appeared in the Scalarama 2018 newspaper.

Sad KeanuCon

sad CCA

It’s with a very heavy heart that we have to announce the postponement of KeanuCon 2018 until 27th +28th April 2019.

Due to the GSA fire and CCA Glasgow‘s subsequent closure, it’s not possible for us to hold KeanuCon on the original dates, and the next workable dates for CCA (and for us, due to Cage-a-rama 2 in January) are in 2019, which we are glad to confirm.

All our efforts to find a suitable alternative location have sadly failed. Although we did come extremely close, trust that we worked very hard to exhaust all the possibilities.

We hope you’ll accept our apologies and realise we are as gutted as anyone to have to postpone KeanuCon. We had the line-up and a lot of the supporting programme locked-in and we were so excited to share it with you. The date change *does* have some positive implications for the programming and for other aspects of the weekend, but that will become clear in due course – ASAP. KeanuCon will be even more awesome for the date change, we promise.

On a more positive note, we still be taking part in the Scalarama Glasgow 2018 programme this September, with these events and at least one more TBA:

09/09 Joe Dante’s The Movie Orgy
27/09 Images of Apartheid + Q&A

Pity Party Film Club will now host the Scalarama Glasgow Opening Party – Hedwig & The Angry Inch – now on sale!

We’re sincerely very sorry for the disappointment, but watch this space for news of KeanuCon (and Cage-a-rama 2!)


KeanuCon was originally scheduled for 1st and 2nd September, 2018. It will now take place 27th + 28th April, at Centre for Contemporary Arts, Glasgow.