Scalarama 2020: Accessibility

This month, we invited Alison Smith, Charlotte Little and Andrew Miller to discuss making events accessible for all audiences.

This month, we hosted a roundtable for Scalarama Glasgow to discuss how organisations, independent exhibitors and programmers can ensure their events, both online and IRL, are accessible to disabled audiences. We invited Alison Smith (Pesky People), Charlotte Little (Film journalist for Flip Screen and UK Film Review) and Andrew Miller (UK Government Disability Champion Arts & Culture and Chair of BFI’s Disability Screen Advisory Forum). Our guests spoke about how organisations can sincerely build in accessability for D/deaf and disabled audiences throughout their events and the ways in which the COVID19 pandemic has exacerbated inaccessability.

You know, that whole fear of missing out? Well, we’re getting it in spades.” Alison Smith, on disabled audiences and online activities.

The sessions highlighted that the pandemic possess a real threat to the progress made in the UK in regards to disablity access to arts and disabled representation. Including serious issues with the UK Cinema Assocations re-opening guidelines, considerations to be taken for audiences who find communcation with mask-wearers difficult and some handy tips on how to bake-in accessible provisons from the planning stages onwards.

You can watch the entire roundtable here (embedded above, with subtitles), read the transcript here or browse the minutes here

Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on FacebookTwitter and Instagram to stay up-to-date.

The next monthly roundtable, focussing the independent exhibitor’s timeline for returning to events, will be on Sunday 9th August, on Zoom. Details via the Facebook page, here.

Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI. 

Scalarama 2020: Inclusion

We invited We Are Parable, Watershed, Umulkhayr Mohamed and Inclusive Cinema to discuss making programming and organisations sincerely inclusive

This month, we hosted a roundtable for Scalarama Glasgow to discuss how organisations, independent exhibitors and programmers can work to make their programmes and events sincerely inclusive. We invited Anthony Andrews (We Are Parable), Umulkhayr Mohamed (freelance consultant, writer, curator), Clare Reddington (Bristol’s Watershed) and Toki Allison (Film Hub Wales’ Inclusive Cinema). dardishi, originally billed, were unfortunately unable to take part due to illness. Our invited guests spoke on their work for and with Black and ethnic minority audiences, their experience of institutional racism and the increasing demand for sincere and lasting change to take hold in our industry. Resources were shared to help educate, interrogate our institutions and inform develop practical ways to overhaul the sector.

This session highlighted some of the fundamental changes that need to occur to sincerely undermine oppressive and racist systems which underpin the film exhibition sector, and which make it near-impossible for Black and minority ethnic practitioners to progress with parity, professionally. These include debunking the concept of whiteness as the neutral state, professionalism (“Western professionalism is rooted in white supremacy”), increasing personal and organsational accountability, and addressing the pressures put on non-white staff and colleagues to deal with institutional, white racism.

You can watch the entire roundtable here (embedded above, with subtitles), read the transcript here or browse the minutes here

Scalarama Glasgow’s monthly roundtables continue online (for now). Follow Scalarama Glasgow on FacebookTwitter and Instagram to stay up-to-date.

The next monthly roundtable, focussing on accessibility for online and IRL screenings takes place on Sunday 19th July, on Zoom. Details via the Facebook page, here.

Scalarama in Scotland is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.