CAGE-A-RAMA 2018

CAGE-A-RAMA 2018

Join Matchbox Cineclub for Glasgow’s first CAGE-A-RAMA, celebrating the birthday of international treasure and batshit crazyman Nicolas Cage!

Over two days, we’ll be exploring two facets of the unfathomable diamond that is Cage, starting on Saturday 06/01 with Cage the Fighter and the Holy Trinity of The Rock (1996), Face/Off (1997) and Con Air (1997).

On Sunday, we’ll explore the gentler side of Nicolas, with Cage the Lover: Valley Girl (1983), Moonstruck (1987) and Raising Arizona (1987).

Both days feature tons of exciting Cage-related bonus features, all starting from 12pm.

Keep up-to-date with the Facebook event page here.

£4 (+£1 booking fee) per film
Day pass: £9 (+£1 booking fee)
Weekend pass: £18 (+£1 booking fee)

Tickets from CCA: Book online, 0141 352 4900.

This event is by arrangement with Park Circus

Poster illustration by Vero Navarro.

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Matchbox Cineclub vs Scalarama

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Scalarama is just around the corner and we have some of our biggest and best events lined up for it this September. First, we team up with Video Namaste for an event inspired by Everything Is Terrible, the Found Footage Festival and Adam Buxton’s Bug. Then we have a very special event celebrating the 20th anniversary of Chris Morris’ landmark TV comedy Brass Eye. Our Glasgow events culminate on our regular date at CCA with our very first live score commission. Finally, we’re using Scalarama to launch our first ever tour, bringing back John Paizs’ masterpiece, Crime Wave for its theatrical debut across the UK.

07/09: Video Bacchanal at Nice N Sleazy 

The ‘90s in cinema were an amazing nightmare. A sugar-syrup throb of VHS scanlines, dire fast food tie-ins and probably the weirdest time in Arnold Schwarzenegger’s life. Come join the Video Namaste boys in a wee trip through the weird videoshop hellscape of 90s cinema and all the amazing stuff that orbited it. Have a drink, gawk at us forgetting to remember and then have a wee dance with us as we play some Exxtra Special ‘90s soundtrack songs afterwards.

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17/09: Oxide Ghosts: The Brass Eye Tapes with director Q&A at CCA

Made from hundreds of hours of unseen material from his personal archive, director Michael Cumming’s film shares insights into the process of making the legendary TV series Brass Eye. Michael directed both the pilots and the series and, over a two-year period, witnessed the highs and lows of Brass Eye from a very personal perspective.

Part documentary, part artwork – the film is designed solely for live screenings and is made up almost entirely of never before seen footage. Oxide Ghosts carries the blessing of Chris Morris and provides a rare glimpse of his extraordinary working practices.

Michael will be doing a Q&A after the film – spilling beans, shattering myths and letting a few cats out of the bag. Celebrating 20 years since Brass Eye’s transmission in 1997, this film and Q&A session are a must for fans of the series but will appeal to anyone with a curiosity about how great comedy is made.

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21/09: Cowards Bend The Knee with live score by Ela Orleans at CCA

Guy Maddin is one of the most distinctive and idiosyncratic directors currently working. The Canadian auteur has mined and subverted the imagery and style of late silent and early sound cinema in such films as The Forbidden Room and The Saddest Music In The World to disorientating, often hilarious effect. Cowards Bend The Knee is one his greatest, but least-known films. Originally conceived of and presented as a peephole show, the film’s ten chapters concoct an alternative cinematic biography for Maddin, torn between the influence of his hockey star father and his attraction to Meta, the beautiful girl from the local beauty salon / illegal abortion clinic.

This is Guy Maddin in purest form, the most concentrated and probably craziest film of his career. Never have hockey, hairdressing, homophobia and hand amputations collided to such dizzying effect, in perhaps the most authentically surrealist film of the 21st century. For Scalarama, Matchbox Cineclub have commissioned Ela Orleans to write a new score.

Ela Orleans has gained an international cult reputation for her haunted, noir-inflected torch songs. She recently came to more mainstream attention when her magnum opus Circles of Upper and Lower Hell was nominated for the SAY Awards. However, the Polish-born musician has a parallel career, scoring film soundtracks having studied composition under David Shire (The Conversation, The Taking of Pelham 123) in New York. She has composed new soundtracks for films as diverse as Frank Borzage’s Lucky Star, Carl Dreyer’s Vampyr and Jack Smith’s Flaming Creatures.

After the screening, journalist Brian Beadie will discuss Ela’s work and approaches to film scoring.

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September and beyond: Crime Wave DCP tour at various UK venues

One of the greatest and yet most perversely overlooked debuts in Canadian movie history, writer-director John Paizs’s Crime Wave announced the birth of a new genre in Canuck cinema: what cultural critic Geoff Pevere dubbed “prairie postmodernism.” Crime Wave’s recent restoration by TIFF debuted to a rapturous reception during Glasgow Film Festival 2017, programmed by us. Still unavailable on DVD, VOD or streaming, Paizs’ lost classic now comes to UK theatres for the first time. Dates are confirmed at DCA (Dundee), Castle Cinema (London), Hawick and HOME (Manchester).

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Long Shot (1978) + Q&A

Long Shot

Matchbox Cineclub’s July screening and the debut of our monthly residency at CCA is a very rare, 35mm outing for Long Shot (Maurice Hatton, 1978), followed by a Q&A discussion of the state of Scottish filmmaking with some special invited guests. The screening takes place at 7pm on Thursday 21st July. Matchbox’s residency continues on the third Thursday of every month at CCA.

Filmed and set at Edinburgh International Film Festival, 1977, Long Shot is a deadpan satire about the trials and tribulations of British independent filmmaking, with terrific cameos from Wim Wenders, Susannah York, Stephen Frears, Alan Bennett and John Boorman. A budding Scottish film producer (Charles Gormley) tries to get his ambitious Aberdeen-set western financed, and while he attracts some major stars and directors to the film he finds that with their support come more and more script changes.

Reviewing Long Shot in 1980, Janet Maslin said, “Maurice Hatton’s Long Shot begins as an in-joke and evolves into a film that’s fresh, cheerful and very appealing.”

This screening is by arrangement with Mithras Films. Matchbox are screening the long out-of-circulation Long Shot from a 35mm print straight from the BFI Archives.

Tickets are £4 + £1 booking fee from CCA’s box office, online, in person or by phone, 0141 352 4900.