The Mask – in 3D!

The Mask eventbrite

The World’s Greatest 3D Film Club returns to Nice N Sleazy on Saturday 4th August with The Mask (Julian Roffman, 1961) – in classic red/blue 3D!

A psychiatrist enters a dream world of horror when he experiments with an ancient Aztec mask sent to him by a patient! This surrealist masterpiece was Canada’s first horror film, and its first shot in 3D. Its pioneering electronic soundtrack was recorded in “ELECTRO MAGIC SOUND”. It’s been described as “truly bizarre, full of unsettling and grotesque images, and with a nightmarish stream-of-consciousness technique.” YES!

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Now you can see it as it was always meant to be seen – on a summer’s night in the basement of Nice N Sleazy, through flimsy cardboard glasses.

Tickets £3 (3D glasses included)


The Mask (1961) – in 3D! screens at Nice N Sleazy, Saturday 4th August

Facebook event here. Tickets here.

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Friday 13th Part III – in 3D!

Friday 13th_evenbrite

We had such a great time with Jaws 3D at Nice N Sleazy that we’re returning with Friday 13th Part III – in 3D! What will henceforth be known as the World’s Greatest 3D Film Club presents the second sequel to the horror classic, in classic red/blue 3D, on Wednesday 25th July.

Jason Voorhees dons the hockey mask for the first time in this classic sequel. Time Magazine’s review said, “The way the eyeball of one of Jason’s victims pops out of his skull and seems to sail over the audience’s head is alone worth buying a ticket and putting on funny glasses.” YES.

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Now you can see Friday 13th Part III (Steve Miner, 1982) as it was always meant to be seen – on a summer’s night in the basement of NICE N SLEAZY, through flimsy cardboard glasses. Our £3 ticket price includes a free pair of red/blue anaglyph 3D glasses.


Friday 13th Part III – in 3D! screens at Nice N Sleazy, Wednesday 25th July

Facebook event here. Tickets here.

Jaws 3D – in 3D!

Jaws-3D

Filmed at a landlocked water park, it’s been described as “a terrible, stupid movie that is easily the lowest point in the Jaws series and arguably one of the worst atrocities mankind has ever visited upon itself.”

The second Jaws sequel started life as a parody, to be directed by Joe Dante (Piranha), with a script entitled Jaws 3, People 0. The studio ultimately decided a spoof was the wrong way to go, and Jaws 3D was…the right way to go? Ultimately, they recruited Manimal himself, Simon MacCorkindale, Marty McFly’s mom, Lea Thompson, the mom from My So-Called Life, Bess Armstrong and Dennis Quaid, by all accounts the highest he’s ever been (off his tits on coke in “every frame”), for what may be the worst film in the franchise.

And now you can see it as it was always meant to be seen – on a summer’s night in the basement of NICE N SLEAZY, through flimsy cardboard glasses.


Jaws 3D – in 3D! screens at Nice N Sleazy, Saturday 7th July.

Facebook event here. Tickets here.

COMIN’ AT YA! 3D Films Through The Ages

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3D films have been around for 100 years now, but for the first 40, they were more or less a niche concern, mostly shorts and special presentations. The first full-length 3D film was Bwana Devil (Arch Oboler, 1952). One of Bwana Devil‘s early audiences was captured in JR Eyerman’s iconic photograph, for Life magazine, used later on the cover of Guy Debord’s Society of the Spectacle.

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The 1950s was the Golden Era of 3D, at least the first four or so years, since the craze quickly dissipated. Along with some of the finest examples – Hitchcock’s Dial M For Murder (1954) were less canonical efforts like Robot Monster (Phil Tucker, 1953). Technical difficulties with exhibition and the general expense meant many 3D films were released flat and the format eventually fell out of fashion, although low budget exploitation films kept the ball rolling into the next decade.

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3D was still the province of exploitation for the early 1960s, with notable outliers like The Mask (Julian Roffman, 1961) from the studio system. The late 1960s saw the return of the saviour of 3D, ol’ Arch Oboler himself, with a new system called Space-Vision 3D – which, worth the wait for the name alone. The Bubble (1966) was his big comeback and the system itself provided a cheaper, less tricky technique for producing and exhibiting 3D films.

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The 1970s was super porny for 3D films. The Stewardesses (Allan Silliphant, 1969 – but 70s as a motherfucker) became one of the most profitable films of all time, if not the most. Flesh For Frankenstein (Paul Morissey, 1973) had a good stab at combining horror and porn and Jackie Chan starrer Magnificent Bodyguards (Lo Wei, 1978) was R-rated kung fu fun. On the whole, 1970s 3D films were not so much for kids.

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The 1980s 3D craze began with Comin’ At Ya (Ferdinando Baldi, 1981), a spaghetti western made using a system devised by writer and lead actor Tony Anthony. Comin’ At Ya was shamelessly, some would say ingeniously, designed to exploit the 3D effects, with various items – arrows, handfuls of seeds, dangling babies – bursting off the screen. The same team followed up with Treasure of the Four Crowns (Ferdinando Baldi, 1983), although a second spiritual sequel, Escape From Beyond, was thwarted before it reached production. In the wake of Comin’ At Ya, Dial M For Murder was re-released and the horror genre once again dove face first into 3D. Friday the 13th Part III (Steve Miner, 1982), Jaws 3-D (Joe Alves, 1983) and Amityville 3-D (Richard Fleischer, 1983) all tipped their hats to Baldi and Anthony’s gleeful approach to 3D.

Then, it’s into the 1990s and IMAX and Avatar and fancy Real 3D and diminishing returns once again. But that’s a story for another day and, besides, the posters aren’t as nice to look at.

Sean Welsh


Matchbox Cineclub screen Comin’ At Ya! in anaglyph 3D at The Old Hairdressers, Thursday  19th May, 2016. Details here. Limited tickets available here.

COMIN’ AT YA in EXPLODOSCOPE!

Matchbox Cineclub‘s May screening will be COMIN’ AT YA! (Ferdinando Baldi, 1981) on Thursday 19/05/16 at the Old Hairdressers, Glasgow.

COMIN’ AT YA! (Ferdinando Baldi, 1981) is the film that launched the 1980s 3Dsploitation boom, with flying spears, vampire bats and even babies, all jumping off the screen towards you. Matchbox Cineclub are celebrating its 35th anniversary with a special screening in 3D (we’re providing the glasses) and an explosive sound set-up. You can’t miss it, cos it’s COMIN’ AT YA! 

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Synopsis: HH Hart (Tony Anthony), a bank robber, loses his wife (Victoria Abril) to kidnappers on their wedding day. Subsequently, she is traded as a prostitute by villain Pike Thompson (Gene Quintana). HH Hart races against time to find his wife, with the help of a Scottish preacher.

CominAtYa_poster


Tickets are available from Brown Paper Tickets right here. This screening is by arrangement with The Little Film Company.